Observable Universe Logarithmic Illustration (OULI)
This data-driven visualization of the Observable Universe, created by Pablo Carlos Budassi in 2012 and updated through 2025, offers a unique circular diagram that intricately illustrates astronomical objects across various distances and sizes using a logarithmic scale.
Key Features:
Central Solar System: The solar system is positioned at the center, with the diagram expanding outward.
Progressive Scale: The scale decreases towards the edges, revealing detailed views of the most distant and massive structures in the observable universe.
Notable Impact:
Viral Sensation: In 2016, this artwork gained immense popularity among astronomy enthusiasts.
Exhibitions & Publications: It has been featured in several prestigious venues and publications, including:
NASA's Astronomy Picture of the Day (APOD) in 2018 and 2022
Dumont World Atlas
Sciences et Avenir magazine
The “Encircling the World” exhibition at the Massachusetts College of Art and Design
Cultural Significance: In 2020, this image was featured on a coin of the Republic of Palau.
Current Exhibitions:
We The Curious Museum: A dome featuring this image is displayed in the astronomy area.
Other Museums: Versions of this artwork have been showcased at the wndr Museum and Adler Planetarium in Chicago.
Future Legacy:
Selected for inclusion in the lunar time capsule “Sanctuary, Eternity for Mankind,” this work was also part of an Active SETI message sent to Proxima Centauri b by the UK radio show Fun Kids and the SpaceSpeak site.
This artistic representation continues to inspire awe, with many referring to it as the "eye of the universe looking back at us."
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Typer.me App Now Available on the Play Store!
Typer.me is now on the Play Store! Download the app today and start connecting with others in a whole new way. Whether you’re sharing ideas, organizing content, or exploring trending topics, Typer.me gives you the tools to stay engaged. Install now and join our growing community! Read More...
What we saw in the news is just tip of an iceberg operations.
#NEWS
MOSSAD DRONE BASE – DEEP INSIDE IRAN
EXPOSED: Deep Inside Iran — The Mossad Struck First. And Struck Hard.
For months — maybe years — the groundwork was quietly laid.
Surgical planning. Precision infiltration. Unseen firepower.
Then, in one synchronized moment, the Israeli strike lit up the Iranian night.
In central Iran, Mossad commando teams had pre-positioned deadly accurate missile systems in open fields near surface-to-air missile (SAM) batteries. As the Israeli Air Force launched a nationwide airstrike, these hidden weapons came alive — firing in unison, shattering Iran’s air defenses with chilling precision.
Elsewhere across Iran, seemingly ordinary civilian vehicles were in fact mobile platforms of destruction. Secretly modified by Mossad operatives, they carried advanced strike technology — and when the operation began, they unleashed a storm of devastation on Iranian radar sites, blinding the skies for Israeli jets.
But the most daring revelation?
The Mossad had built a kamikaze drone base — inside Iran.
Deep beneath Tehran’s shadow, hidden within Iranian soil, agents had quietly prepared the site months ago.
When the moment came, the drones soared — targeting ballistic missile launchers at Esfajabad, one of Iran’s top threats against Israeli cities.
This wasn’t just a strike. It was a masterclass in modern warfare.
The world’s first true surprise. Unparalleled coordination between the Mossad, the IDF, and Israel’s defense industries.
Israel didn’t just respond. Israel rewrote the rules.
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In the remote desert of Libya’s Tadrart Acacus lies a geological enigma known as the "Valley of the Planets."
Among its most striking features are the peculiar disc-like boulders scattered across the landscape, resembling ancient relics from another world. These smooth, flat rock formations stand out against the more irregular shapes typically seen in desert environments, sparking intrigue among geologists and explorers alike.
While it’s generally believed that these boulders were shaped by wind and sand erosion over millions of years, their uniformity and disc-like appearance remain a mystery. How did natural forces create such perfectly rounded shapes? Some suggest the boulders are remnants of a much older geological structure, slowly worn down by time. Others theorize that unique wind patterns or underground forces may have played a role.
Yet, much remains unknown. The valley's remote location and Libya's political challenges have limited scientific exploration, leaving many questions unanswered. How old are these formations? What specific conditions led to their unusual shapes? Until more research is conducted, the Valley of the Planets will continue to perplex and captivate.
#ValleyOfThePlanets #GeologicalMystery #DesertBoulders #WindErosion #LibyaExploration
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WHO IS ERICH VON DÄNIKEN?
Erich von Däniken is one of the most influential and controversial figures in modern non-fiction literature, renowned for his provocative theories about humanity's origins. He gained global fame in 1968 with the publication of his groundbreaking book Chariots of the Gods (also known as Memories of the Future). This work sparked a global conversation, challenging established scientific and historical narratives by suggesting that extraterrestrial beings had visited Earth in the distant past. Over the years, von Däniken has written more than 32 books, including The Eyes of the Sphinx, Twilight of the Gods, History Is Wrong, Evidence of the Gods, and Odyssey of the Gods. His works have been translated into 28 languages, with total sales exceeding 63 million copies worldwide. Several of his books have also been adapted into films, and his ideas have served as the foundation for numerous television series, most notably the History Channel's hit show Ancient Aliens.
Residing in Switzerland, von Däniken remains a fixture on the international lecture circuit, captivating audiences with his bold assertions and unconventional interpretations of archaeological and historical evidence. His work has inspired generations of enthusiasts to reconsider ancient texts, artifacts, and monuments, viewing them through the lens of advanced extraterrestrial technology.
Despite widespread criticism from the scientific community, which has labeled his work as pseudoscience and pseudohistory, von Däniken has persisted in presenting compelling archaeological discoveries as potential proof of ancient extraterrestrial encounters. His contributions, though controversial, have fueled a cultural fascination with the idea that humanity's past may be intertwined with intelligent life from beyond our planet.
Born on April 14, 1935, in Zofingen, Switzerland, von Däniken was raised in a devout Catholic family and received a rigorous education at the Catholic School of Saint-Michel in Fribourg. However, his academic path was cut short, and by the age of 19, he had begun working in the hospitality industry. While managing a Swiss hotel, he embarked on extensive travels to explore ancient sites, using personal funds to visit Egypt, Lebanon, South America, and beyond. These travels laid the foundation for his first book, Chariots of the Gods, which he completed while managing a hotel in Davos.
Initially rejected by multiple publishers, the book finally found a home with Econ-Verlag in Düsseldorf, Germany, in 1967. The publisher requested that a professional writer, Wilhelm Roggersdorf, revise von Däniken's manuscript before publication. On February 27, 1968, the first edition of Chariots of the Gods—featuring an iconic illustration of the lid of Pakal’s sarcophagus from Palenque—hit the shelves. Von Däniken interpreted the artwork as depicting an ancient astronaut or extraterrestrial visitor, a theory that resonated with readers worldwide.
By the end of its first year, the book had sold over 146,000 copies, quickly becoming a bestseller in Germany. It was soon translated into English, French, and Spanish, with sales surging in the United States after Bantam Books published a 200,000-copy paperback edition in 1970. The book's massive success even led to its adaptation into a documentary film, further cementing von Däniken's legacy.
In 1973, von Däniken founded the Ancient Astronaut Society, dedicated to exploring and promoting the theory of ancient extraterrestrial contact. His work continued to gain momentum, with Chariots of the Gods reaching its 44th edition in 1974 and worldwide sales estimated between 4 and 5 million copies by that time. Between 1968 and 1997, von Däniken published 20 books, all of which were translated into 32 languages, with total global sales reaching between 40 and 54 million copies, depending on the source.
WHAT IS THE "ANCIENT ASTRONAUT" HYPOTHESIS?
The "ancient astronaut" hypothesis, popularized by von Däniken, posits that intelligent extraterrestrial beings visited Earth in the distant past, profoundly influencing the development of human civilizations, technologies, and religions. According to this theory, many of the gods, deities, and figures from ancient mythologies—often described as descending from the skies—were, in fact, extraterrestrial visitors. Early humans, unable to comprehend the advanced technology of these beings, interpreted their presence and actions as divine interventions, which became the foundation of many of the world’s religions.
This hypothesis suggests that humanity is either a direct creation or the descendants of these alien visitors. Several core arguments underpin this theory:
Ancient Constructions: The construction of monumental structures such as the Great Pyramids, Stonehenge, and the Moai statues of Easter Island, which some believe required technologies beyond the capabilities of ancient civilizations.
OOPARTs (Out-of-Place Artifacts): Mysterious artifacts that appear to be technologically advanced for their time, such as the Antikythera mechanism, are presented as evidence of extraterrestrial influence.
Hieroglyphs and Ancient Texts: Some ancient texts, like the Sumerian tablets or the Indian Vedas, contain descriptions that von Däniken and his supporters interpret as accounts of alien encounters or advanced flying machines (vimanas).
Religious Traditions: Many religious stories, such as the ascension of prophets or gods descending from the heavens, are reinterpreted as encounters with extraterrestrial beings.
HISTORICAL TRANSCENDENCE
The significance of Chariots of the Gods lies not only in the radical theories it introduced but also in its role in making the wonders of ancient archaeology accessible to millions of people. Through von Däniken’s writings, readers from around the globe were introduced to historically and culturally significant sites like Easter Island, Machu Picchu, the pyramids of Egypt, and the Nazca Lines of Peru—many of which they might never have heard of otherwise. His work ignited a sense of wonder about humanity’s past, spurring curiosity and debate on the mysteries of ancient civilizations.
Regardless of the scientific reception of his ideas, Erich von Däniken has succeeded in capturing the imaginations of countless readers, challenging them to question what they know about history, archaeology, and the universe. His enduring legacy is not just the theories he presents, but the door he opened to a broader exploration of the unknown, inviting us to see the past through new eyes.
#AncientAstronautTheory #ErichVonDaniken #ChariotsOfTheGods #UFOHistory #ExtraterrestrialEvidence #AncientAliens
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